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Advocacy Collective Asserts to Have Scraped Millions of Music Tracks from the Streaming Giant

A digital rights organization has claimed to have scraped millions of songs from the popular streaming service and is getting ready to release them publicly.

Possible Impetus for Artificial Intelligence Training

Industry experts noted the seeming leak could aid AI companies looking for data to develop their technology.

An entity called Anna’s Archive said it had obtained 86 million music files from Spotify and 256 million rows of metadata such as performer and album names. Spotify, which carries more than 100 million songs, stated that the breach did not represent its entire inventory.

“We have identified and disabled the nefarious user accounts that were involved in unlawful scraping,” said a Spotify spokesperson.

The Swedish service, which has more than 700 million subscribers worldwide, added that an investigation into unauthorised access identified a third party scraped public metadata and used illicit tactics to circumvent DRM [digital rights management].

Archive's Stated Goal and Concerns

Spotify does not think the music taken by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, wrote in a blog it wanted to create a ‘historical repository’ for music.

The group claimed the audio files accounted for 99.6% of all music streamed to by its listeners and would be shared via ‘torrents’, a means of exchanging large digital files online.

“Naturally Spotify doesn’t have all the music in the world, but it’s a fantastic beginning,” commented Anna’s Archive, which frames its purpose as “preserving humanity’s information and heritage”.

AI Training and Intellectual Property Battleground

A composer and campaigner for protecting artists’ copyright, remarked the breached music would likely be used for training AI models.

“Educating models on illegally sourced material is sadly widespread in the tech sector, so this stolen music is almost certain to end up instructing AI models,” he said.

The group's website makes references to LibGen, a huge online repository of pirated books that has reportedly been used by Meta to develop its AI models.

The co-founder of an AI startup wrote on the professional network that individuals of the public could in principle “build their own personal free version of the service”. He said it could also allow technology firms to “educate models on modern music at a large volume”.

Intellectual property law has become a key issue between creatives, authors and content creators on one side and AI companies on the other.

Policy Considerations and Responses

Across Britain, artists and writers have protested against a ministerial suggestion to allow AI companies utilize copyright-protected work without consent unless the owner signals. Virtually every respondent to a government call for evidence on the proposal has supported artists’ concerns.

A government minister for science, research and technology informed parliament this month there was “no clear consensus” on the issue, noting that ministers would “take the time to get this right”. The administration has committed to make policy proposals on AI and copyright by next year.

AP
The writer

Amber Phillips

Emily Carter is a tech enthusiast and writer exploring the intersection of technology, innovation, and creative design.

North Space UK

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